Sunday, August 18, 2019
Drunken Santa :: essays papers
Drunken Santa         Drunken Santa is a work that creates a miracle of equilibrium. What seemed   like a clash of an opposite spectrum's colors became the unlikely harmony in   this painting. Jaisini's artistic vision here is formed from two components   of physical and emotional states of being.         Freezing and heating serve as a symbol to a human need for warming up from   the chill of solitude by means known to people at all times. The artist   pursues his art philosophical quest for worldly knowledge that had left its   traces in many of his works. A line of composition literally ignites the   painting's surface with the movement. The color of this work is   "phosphorescent," and it create the different planes if the subtle color   nature. The warm color of purple supports the hot color of Santa's figure and   an exotic fish above Santa. This hot color may represent the so-called   material universe, the world of the gross senses that can be observed in a   sober state. The cold, arctic blue color represents the unknown, the world of   a deep state of drunkenness where real is unreal and otherwise. The only hard   reality is the self, which never changes in any state. And maybe that is why   Jaisini favors the painting's main hero, Santa, to possess the vivacious   color of fire. Jaisini chooses this color of fire to manifest the self and   the cold cerulean, cobalt and ultramarine to renounce self as a mortal entity   surrounded by the eternal unknown.         While Santa drinks his feelings of frigid loneliness vanish. And so,   he gets a company of some almost hallucinatory nature. A shark, a ghostly   image, a profile of another prototypical drunk who is not accidentally   situated in a horizontal position. An amalgam of the several female figures   that consists of a woman in stockings, a nun, a big-breasted silhouette that   create a shadow between.         A heat can be sensed around the hot colored Santa who has lost his   beard and is holding a glass of red wine. He shows his thumb that may be just   a polite substitution for the middle finger sign.          The colors of the work are balanced by a virtuoso composition of a   cubist character. The picture's space is divided endlessly. More images start   to appear. The world of "  
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